You can download the plugin somewhere to not synonymous as beta?. Is it possible to download the plugin somewhere to not synonymous as a beta? This is news to report with pictures and link to the pages slashCAM Magazine The beta version of the plug-in bridge is to cooperate with the beginning of May as a free download on his website for download Canopus EDIUS 5.1. The fact that this certainly restrictions must be made is clear, for Edius hosts do not support the full feature set of After Effects. This could be the editing program to expand to include many effects that are known otherwise only from the compositing area. I’ve extensively tested this and find it to be the best way to convert 30p to 24p for the time being, or atleast until and hopefully Canon comes up with a firmware to address the issue.Īny donation to help keep my website running is truly appreciated.After Effects plug-ins available soon in Edius?Īfter Effects plug-ins available soon in Edius? Of rudi - 17:43:00Īs Michael Lehmann Horn of reports to the NAB, Grass Valley shows where the beta version of a plugin for Edius 5.1, which allows the use of After Effects plug-ins. Add the clip to video track 1, relink and presto! Now take the treated clip into Final Cut, we’ve already set up the sequence from step 3. Important: Make sure that no matter which codec you use that it remains as a 23.98 fps timebase.Ĥ. I choose, “Best (High quality motion compesnation)” to get superb results, however this increases the compression time. This number is the timecode you’ll put into the duration field, (example01:08:01:06) then depending on how well you want the footage to look also taking into consideration the time it will require to compress it choose the desired quality under “Rate Conversion:”. NOW THIS IS THE MOST IMPORTANT PART, OPEN THE COPY OF THE CLIP WE CREATED THAT STILL HAS THE 30 FPS TIMEBASE AND PUT IT INTO THE FINAL CUT PRO TIMELINE, DELETE THE VIDEO TRACK AND ENSURE THE TIMEBASE OF THE SEQUENCE IS SET TO 23.98, GO TO THE END OF THE AUDIO AND READ THE TIMECODE, THIS WAY WE’RE ENSURING THAT WE’RE RETIMING (SPEEDING BACK UP) THE CLIP SO IT WILL MATCH THE ORIGINAL AUDIO. For “Set Duration to:” click the radio button where it will allow us to put in a duration. Once enabled, select “On” for “Frame Controls:” Underneath the “Retiming Control” section is where we’ll make changes. Under “Frame Controls” tab, click the button to the right of “Frame Controls:” to enable this feature. Now open the inspector window so we can do some tweaking. At this point you’ve already created a copy of the original clip therefore preserving the original audio which we’ll relink later in Final Cut.ģ. As a result this makes the clip longer and slows the audio down which is undesirable where audio is important. Open Cinema Tool (part of Final Cut Studio), File, “Open Clip”, choose “Conform”, specify “23.98” to conform to.Įxplanation: This keeps the same number of frames in the clip, it only changes the timebase from 30fps to 24fps, essentially creates overcranked footage by 6 frames, (desirable on some shots). Create copy of finished edit so you’ll have two clips, one to convert to 24p and one to preserve audio.Ģ. Here is the original post from Denver Riddle:Ģ. This really is the most impressive results I have had from converting the footage, it took it’s time to do but I believe the effort is worth it! This is not for complete novices, you need to understand what each piece of software does to really understand. Please do check out the resulting new 24p version of “Sofia’s People” here. If you are lucky enough to just want film out then alter to dead on 24p. There are many quicker ways of converting footage to 24p but this by far and away the most impressive for the best looking end results.Īlter these settings to 25p if you want PAL, but for NTSC keep at 23.98. I am sure someone can point you in the right direction. I don’t have any workflow ideas for non final cut I am afraid. If you have any other workflow solutions which work as well or better please share! A tutorial using Final Cut Studio 2 on how to convert footage shot in 30p to perfect 24p…Used in the short Sofia’s People Thanks to Denver Riddle for his original workflow post on
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